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    Welcome to TMGMC (This Might Get Me Canceled) Episode 1 — no mics, no polish, just real conversation. In this debut episode, I’m breaking down two films I recently saw — I Love Boosters (May 15) and Is God Is (May 22) — and why both deserve your attention in theaters. I also get into a deeper conversation sparked by writer-director Boots Riley’s approach to releasing I Love Boosters, from small theatrical rollouts to directly asking audiences to show up and support indie cinema. That moment led me into a bigger reflection on Hollywood marketing, audience engagement, and why so many powerful Black-led films and shows don’t always get the rollout they deserve. I also touch on: Boots Riley’s bold approach to indie film distribution Why “meeting your audience where they are” actually matters Ryan Coogler’s Sinners press run as a masterclass in storytelling marketing The disconnect between Hollywood marketing and real audiences And why community-driven promotion might be the future of film Plus, I go on a few tangents (because… first episode energy) about The Equalizer, Found, and how streaming has changed — and complicated — the life cycle of TV shows. This is messy, honest, unfiltered conversation about film, culture, and how we show up for the stories we say we love. Drop in the comments: What topics should we talk about next on TMGMC? #TMGMC #BootsRiley #ILoveBoosters #IsGodIs #BlackFilm #FilmTwitter #HollywoodMarketing #RyanCoogler #Sinners #BlackCinema #TVTalk #FilmDiscussion #IndieFilm #MovieReview #PopCultureTalk
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