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    Music, as an art form, is widely regarded as a purely creative practice. Yet clever artists like Rylai recognize that a scientific mind can bring a great deal to the table when producing high-quality arrangements that resonate with listeners worldwide. For Seoul-native Rylai, unique and enchanting melodies are always bouncing around in his brain. “I have my own radio in my head,” he says. But it was not until his early teenage years, when he began plunking out melodies on an old digital piano that had sat untouched for years, that he truly connected with music. As soon as his hands grazed across the keys, he knew music would play an instrumental role in his life.

    After graduating with a degree in physics from a top university in South Korea, he naturally gravitated toward audio engineering and sound design, a discipline that brought together two lifelong passions and gave him the rare opportunity to engage both the scientific and artistic sides of his mind at once. Once he fell in love with the craft, it was not long before he crossed the Pacific to pursue his dreams in the City of Angels. Inspired by a wide range of influences, Rylai’s style shakes up the staples of R&B, pop, indie, and more, drawing from the genre-blending sensibilities of K-Pop legend Seo Taiji and the introspective lyricism of Kendrick Lamar. Working closely alongside indie pop artist, songwriter, producer, and multi-instrumentalist Skyler Cocco, his musical journey is just beginning. With two singles already behind him, including fan-favorite “Fall For You,” Rylai is quickly carving out a space that feels entirely his own.

    Issues” reverberates with the resounding melancholy of heartbreak, the love-laden, wounded voice of someone desperately trying to move on after a relationship’s breakdown. As devastating as a separation can be on its own, Rylai’s longing crests and falls like waves crashing into the ocean, reflecting the turmoil of leaving behind the memories of a relationship where, looking back, he realizes he may not have truly known his lover that well at all. Channeling the pure expression of R&B, tastefully paired with a minimalist soundscape, the track feels like a page ripped right out of Rylai’s diary. “If you love me, can you let go of me?he pleads, as gentle acoustic strums mirror his anguish. As he works through the aftermath, a chorus of soaring harmonies floats above the cold, heavy bass, and it begins to feel as though he’s finding his voice again, and with it, his strength to leave the “Issues” of the past where they belong.

    Rylai’s ethereal vocals not only radiate a vulnerability that immediately pulls at the heartstrings but also carry a sense of imbalance, that uneasy feeling of being stuck between two places with no clear path forward. In the “Issuesmusic video, he drifts through “some of the loneliest scenes in New York” like a ghost, trapped in his own mind and fully in the thralls of his torment. Wandering through the contrasting industrial and natural landscapes of the city that never sleeps, it becomes increasingly clear that he’s trying to work through the dark cloud hanging overhead. He searches for catharsis in every traffic light, subway ride, and beach stroll, and eventually he finds it. Burying his traumas deep in the ground with a few tears and a gentle kiss, he walks away, this time for good.

    You’ve said you’ve had melodies in your head for years. What do those ideas feel like now compared to when you first started playing them on that old piano?

    The melodies I wrote years ago still feel just as exciting and fresh to me now as they did when I first came up with them.

    It’s not like I remember all of them, but I do remember a lot. Some of them are still, to this day, among the best melodies I’ve ever written.

    It’s always satisfying to nurture them, dress them in the right production, and finally show them to the world.

    Issues” feels really raw and stripped back. What made you want to keep the production so minimal?

    It started from the idea of stripping away all the drums and keeping it acoustic. From there, Skyler added a lot of beautiful acoustic guitar parts, and we built the production around that in a way that felt right.

    Why did I want to keep it acoustic? It was just an instinct that doing it that way would serve the melody and lyrics better. Luckily, that instinct turned out to be right.

    There’s this tension in the song between holding on and letting go. What inspired that feeling?

    I hope everyone who listens to this song lives a happy life. But sometimes there are moments when you have to let something go to move forward.

    For me, I had to let go of certain things because my parents strongly opposed my pursuing music. A lot of things happened, but these days, my dad has come around.

    Your influences range pretty widely. How do you bring those different sounds together in a way that still feels like you?

    I think people are drawn to lyrics that fit an emotional yet catchy melody, and to beautiful sounds that soothe the ear. Tastes may differ slightly, but from this perspective, I don’t think the music we make is all that different.

    As for how I bring those different sounds together while still making them sound like me: if you listen to the artists who influenced me, I think it becomes much easier to understand.

    For example, I look up to Kendrick Lamar for his lyrics, and I admire Ado for her powerful singing style.

    Each of them has different strengths.

    Within the framework of good music, they each focus a little more on different aspects. Studying those strengths, experimenting with them, and applying them to my own music isn’t all that difficult.

    You’ve been working with Skyler Cocco. What has that collaboration been like for you?

    It was a relatively short studio session. We recorded some percussion and background vocals together. When I came back to my studio and went through all the files she sent over, I was blown away by the acoustic guitar production. It was the best acoustic guitar production I had ever worked with

    I had a really good feeling that this song was going to become something special.

    From there, I added synths, electric bass, and a lot of other elements, especially building toward the climax of the song.

    That’s how the song came together.

    As you keep growing as an artist, what do you hope people take away from your music, and anything else you’d like to share before we wrap up?

    I hope people walk away from my music feeling something they want to come back to. These songs reveal more of themselves the more time you spend with them, and that’s only going to continue. “Issues” is my third single, and there’s plenty more on the way this year. Every person who listens genuinely means the world to me and brings everything I’ve envisioned closer to reality. So thank YOU for listening! This is just the beginning.

    Follow Rylai

    https://www.officialrylai.com/
    https://www.youtube.com/@officialrylai
    https://www.instagram.com/officialrylai/
    https://www.tiktok.com/@officialrylai

    The post Pop Artist Rylai Discusses His “Issues” appeared first on The Hype Magazine.

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