SummaryFlyingDog is releasing the Ghost in the Shell: Stand Alone Complex O.S.T+ on 2 LP vinyl on July 22, followed by the Innocence Original Soundtrack on 1 LP vinyl on August 26Both releases are timed to coincide with the new Ghost in the Shell series scheduled to air this July, marking the first time either soundtrack has been available on vinylIn commemoration of the releases, FlyingDog is uploading 14 selected tracks weekly to its official YouTube channel, with the first track available nowYoko Kanno's Ghost in the Shell: Stand Alone Complex soundtrack has spent over two decades being exactly the kind of music that deserves a proper vinyl pressing. FlyingDog is finally delivering one. The Ghost in the Shell: Stand Alone Complex O.S.T+ arrives on 2 LP vinyl July 22, with Kenji Kawai's Innocence Original Soundtrack following on 1 LP vinyl August 26. Both releases land ahead of the new Ghost in the Shell series airing this July, giving longtime fans and new listeners a definitive format to revisit one of anime's most architecturally ambitious bodies of music.Ghost in the Shell: Stand Alone Complex aired in 2002 on the SKY Perfect Choice network, running for two seasons and 52 episodes under the direction of Kenji Kamiyama and the production of Production I.G. The series was not simply a domestic success: it topped cable television ratings in the United States, bringing its vision of a complex, stateless cyberpunk future to an international audience at a scale few anime productions had achieved. The soundtrack was a significant part of that reach. Kanno's music did not function as backdrop so much as world-building material, establishing the emotional and sonic texture of a future that felt genuinely plausibleThe musical language Kanno constructed for SAC is worth understanding in its specificity. The fusion of starkness and lyricism that defines the soundtrack blends digital electronica with eastern European folk, jazz, and rock, with vocals that move across Russian, English, and Italian without settling into any single cultural register. That multilingual quality was deliberate: the vocals depict a stateless and complex future society, one where national and linguistic boundaries have dissolved into something more fluid and more unsettling. On vinyl, that sonic complexity will carry differently than it does on CD or streaming. The warmth of the format suits Kanno's layered arrangements in a way that rewards close listening.The Innocence release adds a distinct second voice to the collection. Directed by Mamoru Oshii, the 2004 OVA is a companion piece to the original Ghost in the Shell film rather than the SAC series, and Kenji Kawai's score reflects that lineage. Where Kanno's work is propulsive and genre-fluid, Kawai's approach to the Ghost in the Shell universe is more austere, drawing on choral and orchestral textures that give the Innocence soundtrack a ceremonial weight. The two vinyl releases together cover the full sonic breadth of the Ghost in the Shell universe across its most significant animated chapters.The timing of both releases is carefully considered. The new Ghost in the Shell series arriving this July creates a natural moment of cultural re-engagement with the franchise, bringing in audiences who may be encountering the universe for the first time alongside those who have followed it since 2002. FlyingDog's decision to upload 14 selected tracks weekly to its official YouTube channel ahead of the vinyl releases extends that reach further, offering an accessible entry point into the music before the physical product arrives.The Ghost in the Shell: Stand Alone Complex O.S.T+ 2 LP vinyl drops July 22, followed by the Innocence Original Soundtrack 1 LP vinyl on August 26.