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    In addition to talent and hard work, musicians need money to record tracks, purchase instruments and recording software, distribute their music, travel for performances, and market themselves. All of these costs add up to a lot of money, often far more than a musician can afford on their own.

    Independent musicians today often have to cover all costs of their music career (recording sessions, equipment, distribution, travel, marketing) themselves. So while being a signed artist to a major record label can mean financial support for their work, it also can mean that the artist has less creative control over their work than an independent musician. And it certainly means that the independent musician is 100% financially responsible for their work.

    Remember, a sustainable music career doesn’t have to rely on breaking the bank to fund everything. With the right knowledge of essential costs and smart funding, it’s possible to avoid getting into a situation where you struggle to manage your finances.

    Start With a Clear Project Budget

    A recording budget will typically include costs for studio rental, production, mixing, mastering etc. Typically a musician may record at a few different studios and have their tracks mixed and mastered. They may also use the services of session musicians and require the cover artwork for their album(s) to be designed and printed etc. In addition to these costs, there will also be the costs of distribution, both physical and digital. When touring, a musician will have additional costs, for example, transportation, lodging, meals, insurance, venue costs, merchandise, and emergency repairs. Promoting a musician will also incur a number of additional expenses, for example, photography, music videos, public relations support, digital advertising, and a playlist campaign etc. It is therefore very important that

    A recording budget would include items like studio rental, production, mixing and mastering, session musicians, cover art and distribution. A touring budget would include items like travel, accommodation, food, insurance, venue rental, merchandise and for emergency repairs. Promotion would include things like photography, music videos, public relations support, online advertising and for a campaign on playlists. For promotion online, you would have to budget for social media content as well.

    This can also include costs for promotion and advertising such as photography, music videos, public relations support, digital advertising, playlist campaigns, etc.

    A budget is useful to differentiate between essential expenses and optional costs to enhance a recording. Even the most ambitious of albums will be of greater value if it is completed rather than remaining unfinished due to an unrealistically low budget for the project.

    Keep around 10% of the budget for unexpected expenses such as equipment breaking or extra studio time. Some artists have a large contingency fund which can provide a cushion of money for a while should nothing be coming in for a while. Other artists have no contingency fund at all, relying on friends and family to bail them out when things go wrong.

    Use Current Music Income When Possible

    Reinvest current income: This is the safest method of funding a musician’s career. There are many sources of current income for musicians including live performances, streaming of their recorded music, sales of merchandise, teaching others, licensing of music for use in films, TV shows and commercials, session work for other musicians and fan-based membership sites and subscriptions.

    Grow your career without borrowing money or losing control of your business. Instead of putting all of your music money into one expensive recording, save some of the money that you’re already earning from your music. Set up a career fund and use a portion of the money that you earn from your music to fund future recordings, tours and other projects.

    Once income is earned from musical performances, from royalties from the online distribution of recorded music, from the sales of merchandise, from teaching music, from licensing music for use in films, television shows, or commercials, from paid work as a session musician, or from other musical sources, the artist can reinvest the money in new music related projects. In this manner the artist can grow their musical career slowly, but safely, without having to borrow money, take on debt, or give up ownership of the music that they have created.

    It does not matter how the money is generated to support your music career, the important point is that it supports your career. For some artists, income from a part-time or full-time job may generate sufficient income to support a recording project, or even a tour and promotion of the resulting release.

    Consider Crowdfunding and Direct Fan Support

    Some artists opt for crowdfunding of specific projects. By releasing the project to the artist’s fans before it’s released to the wider public, the artist can receive funding for the project before it’s been released. Additionally, crowdfunding allows artists to offer their fans rewards for their financial support, turning a simple ask for money into a way to interact with fans.

    Things to Consider and Give to Fans in Return. Typically fans will look for early copies of releases, tracks before they come out on general sale, copies of releases signed for fans, personal performances at fans homes for small groups of fans, production credits for fans tracks, and also for fans to get involved in behind the scenes of artists work.

    Transparency with fans is a key component of securing funding through fans. Be clear about how the money will be spent, when the artist intends to complete the project and what rewards supporters can expect in return for their funding. A vague request for funding of ‘my music’ is unlikely to garner much support. Instead clearly outline the costs of creating and releasing a record, and the rewards that supporters can expect in return for their funding.

    You also have to think about platform fees, payment processing, taxes, shipping and all the costs that are part of producing rewards. So, a campaign that manages to raise $10,000 does not mean that the artist has $10,000 at their disposal for making music.

    By setting up recurring membership income on platforms such as fan financing sites, artists can receive a consistent flow of funds each and every month, which they can then use to cover ongoing costs of running a career, like for example, rehearsal space, creating content, software subscriptions and equipment maintenance.

    Review Borrowing Options Carefully

    Some projects that an independent musician is involved in may have a deadline, which would mean saving for the required amount of time would not be sufficient and that crowdfunding could also be unfeasible. These projects are often funded by means of a loan, which can be in the form of a credit card, equipment leasing or a personal loan.

     

    Using a credit card for borrowing money can be very convenient but can turn into a big money pit very fast. In the meantime, until a musician can afford to pay cash for his or her instrument or gear, he or she can look into leasing out equipment and/or even financing certain items. Carefully read the fine print and make sure to know exactly what you are getting yourself into, though.

    A personal loan is a form of funding which would provide the musician with a fixed amount of money, which they would repay with monthly installments until the loan is fully repaid. Again, there are many different loans on the market and it would be wise for the musician to check the personal loan rates, total amount repaid, origination fee, loan term and any early repayment charges before applying for a loan. Crucially, the musician must make sure that they can afford the monthly repayments, even if they are experiencing a downturn in performance/royalty income.

    Make sure the money is spent on something specific and have a plan in place for repayment of the debt (e.g. although you may be able to borrow to cover rent in between jobs, it would not be wise to borrow to cover regular rent payments).

    Be Conservative with Your Projected Income: Regardless of what loan you go for, you need to be conservative with your projected income. This is especially true for artists, as income from streaming, ticket sales and even merchandise can be extremely unpredictable. For example, a single show can sell out and make a load of money, but the next show can have half as many people attending. Therefore, any loan that you take out should not be based on an extremely optimistic view of your future earnings.

    Build a Career That Can Support the Next Project

    Independent artists need to be building a career that can support the next project in terms of financial resources.

    By understanding your costs of running as an independent musician you will be in a far better position to negotiate terms for live performances, assessments of suitability for radio plays and TV appearances, and consider outside funding. Importantly it will enable you to make sensible financial decisions that enable your music to flourish, in a sustainable manner over the medium to long term, as opposed to a costly and damaging financial plunge.

    Understanding costs will help independent artists negotiate performance fees, choose between various promotions and even decide whether to accept outside funding for certain projects. Important is that their music is supported by a sensible financial plan.

    You don’t need to have an unlimited budget to create an independent career as a musician. With a clear plan, realistic expectations, and a well thought-out funding strategy, your music and your financial stability can thrive.

    The post How Independent Musicians Can Pay for Recording, Touring, and Promotion appeared first on The Hype Magazine.

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